‘The Light’ Review: Tom Tykwer Blasts Us With Issues but No Reason to Engage in Overlong Berlinale Opener

In “Run Lola Run,” director Tom Tykwer gave his fast-dashing heroine three chances to get things right, a formula that made it the highest-grossing German-language movie to hit the States since “Das Boot.” More than a quarter-century later, the world is still waiting for German cinema’s edgy new hope to repeat on that success. The […]