‘Mortician’ Review: Exiled Iranians Hover Between Worlds in a Dark Protest Film With a Light Touch

Iranian-born filmmaker Abdolreza Kahani refers to his current process as “solo cinema,” and with good reason: A one-man band of director, producer, writer, editor and DP, he shoots on an iPhone with a single microphone, no further crew, and no budget to speak of. But “solo” isn’t to say “isolated,” and his latest film “Mortician” […]