‘Lilo & Stitch’ Review: ‘Ohana’ Means Familiar in a Disney Live-Action Redo That Barely Strays From Its Source

When “Lilo & Stitch” opened in 2002, the Disney marketing department cheekily treated its title character — a shape-shifting alien bioweapon — as the studio’s redheaded stepchild. Conceived by Chris Sanders and Dean DeBlois, the irreverent original story wasn’t based on a beloved classic like “Pinocchio” or “Aladdin,” and offered nothing even remotely resembling a […]