‘Landmarks’ Review: Lucrecia Martel’s First Documentary Reflects Potently on Land Theft and Indigenous Erasure

Acolytes of Argentine auteur Lucrecia Martel are accustomed to patience. In 25 years she’s made just five features, of which the latest, the long-gestating “Landmarks,” is her first foray into nonfiction filmmaking. A slow-burning, increasingly incensed unraveling of a horrific murder case underpinned by colonialist privilege and prejudice, it too demands patience of its viewers […]