How ‘The Plague’ Artisans Capture the Horrors of Early Adolescence Through Score and Cinematography

Foreboding title aside, one could reasonably begin watching Charlie Polinger’s “The Plague” and assume that it is a Y.A. coming of age drama— a modern-day “The 400 Blows” or a male “Welcome to the Dollhouse” about a group of teenaged boys spending their summer at a sleepaway water polo camp. However, as the film progresses, […]