‘Eel’ Review: Sensually Saturated Mood Piece Slithers Its Way Under Your Skin

Let’s get this out the way: Nobody titles their film “Eel” if they don’t want critics to reach for the adjective “slippery,” and Chu Chun-Teng’s woozily gorgeous first feature invites it from the off. Its story, slender but charged, is in a constant state of retreat, repeatedly darting into psychological and existential alleys just out […]